Visual Paranoia in Rear Window, Blow-Up and The Truman Show

Against the backdrop of recent postmodern discourse on cultural theory, Eva Schwarz provides a gripping analysis of the concept of what she describes as visual paranoia. Her study is based on a detailed analysis of three films: Alfred Hitchcock s Rear Window (USA, 1954), Michelangelo Antonioni s Blow-up (GB, 1966) and Peter Weir s The Truman Show (USA, 1998). The starting point of all three analyses is the representation of the postmodern media and information age as an incisive culture of the ...